Franziska Ostermann is a digital artist and cryptopoet creating AI-generated video installations, photographic works, virtual reality environments, and poetry films that interrogate female identity, digital embodiment, and the materiality of language. For ten years, she has worn exclusively white—a conceptual anchor that defines her visual and textual practice.

Her work has been exhibited internationally with HEK Basel, NRW-Forum Düsseldorf, Synthesis Gallery, and The Second-Guess, and is held in the collection at Francisco Carolinum Linz. She received the Liliencron Award for Emerging Poets, a working grant from the German Literature Fund, and a residency at the Literary Colloquium Berlin.

Ostermann's projects have been featured in British Journal of Photography, Kunstforum International, DER GREIF, Forbes, and Studio International. She has performed at the Frankfurt Book Fair, BuchBasel, and the House of Poetry in Berlin, positioning her within current discourse on digital poetics, AI art, and cyberfeminist practice.